The article discusses the inherent risks associated with attending theater performances, citing Milo Rau's staged AfD ban trial at the Thalia Theater in Hamburg as an example. This production forced attendees to endure opposing viewpoints for extended periods, particularly challenging for those seated in the middle. The piece also references an incident involving actor Lars Eidinger at the Berliner Schaubühne, highlighting the physical proximity between performers and the audience, which can lead to unpredictable situations like flying props. Despite these potential dangers and the blurring of the stage-audience barrier, the play's popularity remains high, suggesting continued strong attendance, especially in the front rows.